"Aesthetically, we were enormously successful. Economically... there was no success. It was all about music of the future and unfortunately it was a band that didn't have any future"
About this Quote
Wayne Kramer’s line lands like a postmortem delivered with a grin you can hear through the ellipses. He splits “success” into two ledgers - the one culture keeps and the one capitalism enforces - then lets the punchline do the damage: the future-sounding band had no future. It’s rueful, but it’s also an accusation.
The phrasing is doing heavy lifting. “Aesthetically” isn’t just about taste; it’s a claim to legacy, to having mattered in the only way that endures for certain artists. Then he snaps to “Economically...” and that pause reads like a shrug at the grim punch of rent, food, hospital bills - the banal forces that kill revolutions faster than critics ever could. Kramer isn’t romanticizing poverty; he’s highlighting how often the market treats innovation as a bad investment until someone else repackages it.
The subtext is a familiar American story: the avant-garde as unpaid research and development for the mainstream. “Music of the future” signals ambition and cultural velocity, but also a kind of structural misalignment. If you arrive too early, you don’t get applause; you get ignored, or exploited, or both. “Unfortunately” is doing a lot here, pointing to contingency rather than moral failure. They weren’t less talented than the bands who cashed in later; they were out of sync with the machinery that turns sound into a sustainable life.
Kramer’s real intent is to reclaim the narrative: they didn’t fail aesthetically, the economy failed them.
The phrasing is doing heavy lifting. “Aesthetically” isn’t just about taste; it’s a claim to legacy, to having mattered in the only way that endures for certain artists. Then he snaps to “Economically...” and that pause reads like a shrug at the grim punch of rent, food, hospital bills - the banal forces that kill revolutions faster than critics ever could. Kramer isn’t romanticizing poverty; he’s highlighting how often the market treats innovation as a bad investment until someone else repackages it.
The subtext is a familiar American story: the avant-garde as unpaid research and development for the mainstream. “Music of the future” signals ambition and cultural velocity, but also a kind of structural misalignment. If you arrive too early, you don’t get applause; you get ignored, or exploited, or both. “Unfortunately” is doing a lot here, pointing to contingency rather than moral failure. They weren’t less talented than the bands who cashed in later; they were out of sync with the machinery that turns sound into a sustainable life.
Kramer’s real intent is to reclaim the narrative: they didn’t fail aesthetically, the economy failed them.
Quote Details
| Topic | Music |
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