"Ah, women. They make the highs higher and the lows more frequent"
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Nietzsche’s line lands like a compliment that keeps a knife behind its back. The first two words, “Ah, women,” stage a little theatrical sigh, the sort of gesture that pretends to be worldly while smuggling in a verdict. Then comes the bait-and-switch: “the highs higher” offers women as intensifiers of life, a Dionysian charge that makes existence feel sharper, more vital, more worth risking. But the second half turns that intensity into a tax: “the lows more frequent.” Not deeper, not more meaningful-lows that arrive with annoying regularity, like a bad habit you can’t quit.
The intent isn’t to describe women so much as to narrate a male psyche that experiences desire as both elevation and destabilization. Women become a shorthand for volatility: the force that heightens sensation and sabotages equilibrium. That framing fits Nietzsche’s broader habit of turning personal entanglements into metaphysical claims, where romance isn’t just romance but a test of strength, discipline, and self-mastery. The subtext is control: if “highs” are granted by women, then a man’s sovereignty looks compromised; if “lows” are “frequent,” then the safest story is that the problem lies in the stimulus, not the self.
Context matters because Nietzsche’s writing on women is famously inconsistent-sometimes admiring, often patronizing, always more revealing of his anxieties about dependency than of any stable thesis about gender. The line works as epigram because it compresses that ambivalence into a rhythm you can’t quite argue with: the seduction of intensity, followed by the resentment of its costs. It’s less sociology than self-portrait.
The intent isn’t to describe women so much as to narrate a male psyche that experiences desire as both elevation and destabilization. Women become a shorthand for volatility: the force that heightens sensation and sabotages equilibrium. That framing fits Nietzsche’s broader habit of turning personal entanglements into metaphysical claims, where romance isn’t just romance but a test of strength, discipline, and self-mastery. The subtext is control: if “highs” are granted by women, then a man’s sovereignty looks compromised; if “lows” are “frequent,” then the safest story is that the problem lies in the stimulus, not the self.
Context matters because Nietzsche’s writing on women is famously inconsistent-sometimes admiring, often patronizing, always more revealing of his anxieties about dependency than of any stable thesis about gender. The line works as epigram because it compresses that ambivalence into a rhythm you can’t quite argue with: the seduction of intensity, followed by the resentment of its costs. It’s less sociology than self-portrait.
Quote Details
| Topic | Sarcastic |
|---|---|
| Source | Rejected source: The Nietzsche-Wagner correspondence (Nietzsche, Friedrich Wilhelm, 1844-19..., 1921)IA: nietzschewagnerc00niet
Evidence: he nineteenth century many others must have thought the same as i have frequentl Other candidates (2) Quotes: The Famous and Not so Famous (Terence M. Dorn Ph.D., 2021) compilation95.0% ... Friedrich Nietzsche , 1844–1900 , German philosopher Sometimes people don't want to hear the truth because they d... Friedrich Nietzsche (Friedrich Nietzsche) compilation43.0% preface who is the most moral man first he who obeys the law most frequently wh |
| Featured | This quote was our Quote of the Day on October 26, 2023 |
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