"All human evil comes from a single cause, man's inability to sit still in a room"
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Pascal doesn’t blame evil on monsters; he blames it on fidgeting. The line lands like a dare: if you could tolerate your own company, truly tolerate it, much of the damage you do to others would lose its fuel. The bite is in how domestically he frames the problem. Not a battlefield, not a courtroom, just a room. Evil, Pascal implies, is less a grand ideology than a refusal of interior life.
The target is what he elsewhere calls divertissement: the compulsive pursuit of noise, gossip, status, games, romance, war, anything that keeps the mind from facing its own limits and mortality. “Sit still” becomes shorthand for confronting the most inconvenient truths: you are finite, you are inconsistent, you don’t control much. That confrontation is intolerable, so people externalize the discomfort. They pick fights, build empires, chase applause, moralize, flirt with catastrophe. Restlessness becomes a social force.
It also works as a theological diagnosis without sounding like church talk. Pascal, writing in 17th-century France amid religious conflict and rising confidence in reason, mistrusted the era’s self-assurance. The room is where the modern ego is supposed to prove its independence; instead, it discovers emptiness. The subtext is almost psychological: distraction isn’t a harmless coping mechanism, it’s a gateway drug to cruelty. If you can’t sit with your own anxiety, you’ll recruit the world to manage it for you.
The target is what he elsewhere calls divertissement: the compulsive pursuit of noise, gossip, status, games, romance, war, anything that keeps the mind from facing its own limits and mortality. “Sit still” becomes shorthand for confronting the most inconvenient truths: you are finite, you are inconsistent, you don’t control much. That confrontation is intolerable, so people externalize the discomfort. They pick fights, build empires, chase applause, moralize, flirt with catastrophe. Restlessness becomes a social force.
It also works as a theological diagnosis without sounding like church talk. Pascal, writing in 17th-century France amid religious conflict and rising confidence in reason, mistrusted the era’s self-assurance. The room is where the modern ego is supposed to prove its independence; instead, it discovers emptiness. The subtext is almost psychological: distraction isn’t a harmless coping mechanism, it’s a gateway drug to cruelty. If you can’t sit with your own anxiety, you’ll recruit the world to manage it for you.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Blaise Pascal, Pensées (posthumously published 1670). French original: "Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos dans une chambre." Common English rendering: "All of man's unhappiness comes from one thing: not knowing how to stay quietly in a room." |
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