"Any subject is good for opera if the composer feels it so intently he must sing it out"

Gian Carlo Menotti, a respected 20th-century author, expressed a profound fact about the nature of opera and creative production in his statement: "Any subject benefits opera if the composer feels it so intently he must sing it out". This quote succinctly highlights the deeply individual and emotive foundation of operatic structure.

At its core, Menotti's words stress the power of genuine psychological connection in art. Opera, unlike lots of other types of musical expression, is intensely significant, relying on the synthesis of music, theater, and in some cases dance to convey its stories. It is the fervor with which a composer approaches a subject that can change it into a compelling operatic story. Menotti recommends that the intrinsic value of the subject matter is secondary to the passion the composer gives it. This sentiment democratizes the themes considered "worthwhile" of opera, recommending that any subject-- even those that seem mundane or unconventional-- can be raised into the realm of operatic storytelling through real emotional expression.

Additionally, Menotti's assertion highlights the importance of genuineness in creative ventures. When an author feels an overwhelming requirement to reveal a subject through opera, that seriousness and authenticity can resonate exceptionally with audiences. This is because opera has a distinct ability to stimulate the deepest of emotions by blending narrative with the visceral impact of music.

Additionally, Menotti's point of view difficulties composers to introspect and discover topics that really move them. It is not the grandeur of the subject alone that determines its viability for opera but rather the depth of the composer's engagement with it. This unlocks for diverse, innovative operas that break away from standard styles, reflecting a broader spectrum of human experience.

In conclusion, Menotti's quote champs the idea that the true essence of opera depends on the strength of the author's enthusiasm. It is this impassioned need to "sing out" that can change any subject into an operatic masterpiece. Such a point of view welcomes a more comprehensive range of stories to be told through opera, improving the medium with a variety of voices and experiences.