"Like any other composer of opera, I choose a subject not for polemical reasons, but because it contains vivid characters in highly charged dramatic situations"

Carlisle Floyd's quote clarifies the inspiration and artistic process behind making up opera. His statement "Like any other composer of opera, I pick a subject not for polemical reasons, however due to the fact that it includes vibrant characters in highly charged significant situations" stresses a number of key elements that drive the creation of operatic works.

Initially, Floyd highlights the idea that opera, at its core, has to do with storytelling through music. Authors aren't mostly inspired by a desire to engage in polemics, or controversial debates, through their work. While opera can indeed attend to social and political issues, Floyd highlights that these are not the preliminary or main factors to consider when selecting a subject.

The focus is on story and characterization: "brilliant characters in extremely charged remarkable situations." Opera prospers on psychological depth and human intricacy, conveyed through music that amplifies these aspects. By concentrating on "vibrant characters," Floyd points to the need for vibrant, relatable, or compelling people whose experiences and feelings can be highly revealed through song. The term "highly charged dramatic circumstances" suggests scenarios teeming with tension, conflict, and capacity for psychological engagement, which are necessary for grasping operatic narratives.

Floyd's viewpoint reflects the traditional view of opera as a mix of music, drama, and character expedition. Composers intend to stimulate a wide variety of emotions, crafting stories that resonate with audiences on a personal and often extensive level. This method to opera lines up with its historical roots, where grand tales, frequently drawn from folklore, literature, or historical occasions, are brought to life on phase.

Ultimately, Floyd's statement is a testament to the long-lasting power of opera to record the complexities of human experience. Rather than driving an agenda, the goal is to look into the human psyche and produce an effective, emotional connection with the audience through skillful interplay of music and drama.