"'Beauty is truth, truth beauty,' - that is all ye know on earth, and all ye need to know"
About this Quote
Keats condenses a Romantic credo into a paradox: beauty and truth are not merely allies but identical, and recognizing that identity suffices for human wisdom. The line closes Ode on a Grecian Urn, where the speaker contemplates scenes fixed forever on an ancient vessel: lovers forever about to kiss, musicians forever playing, a procession halted at the threshold of sacrifice. Against the flux of human life, the urn endures, a silent witness that outlasts generations. Its beauty is not just ornament; it is a mode of knowing. To see rightly, Keats suggests, is to feel beauty intensely enough that the experience itself discloses truths about desire, time, and mortality.
The phrasing is provocatively simple, but the context complicates it. The poem calls the urn a "Cold Pastoral", acknowledging the chill of permanence. The lovers are spared disappointment, yet they never fulfill their longing. The truth offered by beauty is therefore double: consolation in form and harmony, and an unsettling reminder of what remains out of reach. When the voice declares, "that is all ye know on earth, and all ye need to know", it frames this insight as both limit and sufficiency. On earth, knowledge is partial, lived in sensation and feeling rather than abstract proof; the aesthetic moment offers a kind of knowledge that does not require further justification.
The ambiguity of the speaker matters. Is the urn itself speaking, or the poet ventriloquizing it? That uncertainty aligns with Keats's ideal of negative capability, the capacity to dwell in doubts and mysteries without grasping after certainties. In a letter, he wrote that what the imagination seizes as beauty must be truth, echoing the poem's claim. Yet the line resists dogma. It works less as a syllogism than as a koan, inviting assent through experience. The enduring power of the aphorism lies in how it fuses feeling and thought, suggesting that the deepest truths arrive not by argument but by the recognition of beauty.
The phrasing is provocatively simple, but the context complicates it. The poem calls the urn a "Cold Pastoral", acknowledging the chill of permanence. The lovers are spared disappointment, yet they never fulfill their longing. The truth offered by beauty is therefore double: consolation in form and harmony, and an unsettling reminder of what remains out of reach. When the voice declares, "that is all ye know on earth, and all ye need to know", it frames this insight as both limit and sufficiency. On earth, knowledge is partial, lived in sensation and feeling rather than abstract proof; the aesthetic moment offers a kind of knowledge that does not require further justification.
The ambiguity of the speaker matters. Is the urn itself speaking, or the poet ventriloquizing it? That uncertainty aligns with Keats's ideal of negative capability, the capacity to dwell in doubts and mysteries without grasping after certainties. In a letter, he wrote that what the imagination seizes as beauty must be truth, echoing the poem's claim. Yet the line resists dogma. It works less as a syllogism than as a koan, inviting assent through experience. The enduring power of the aphorism lies in how it fuses feeling and thought, suggesting that the deepest truths arrive not by argument but by the recognition of beauty.
Quote Details
| Topic | Truth |
|---|---|
| Source | John Keats, Ode on a Grecian Urn (1819), final lines: 'Beauty is truth, truth beauty, that is all Ye know on earth, and all ye need to know.' |
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