"But no, I'm still living in LA and haven't dropped off the face of the earth"
About this Quote
The line lands with a shrug and a smile, a veteran actor brushing off the rumor mill. Ted Shackelford built his public identity as Gary Ewing on Dallas and, more centrally, Knots Landing, a familiar face in a prime-time soap era that defined 1980s television. As the glare of that spotlight faded and the culture moved on to new shows and new celebrities, his name drifted from headlines. The response here is both reassurance and gentle rebuke: absence from tabloids is not absence from life.
Saying he is still living in LA carries its own nuance. Los Angeles is the symbolic and literal hub of the industry. To live there is to remain in orbit, plugged into the networks of casting, production, and creative collaboration. The joke about not dropping off the face of the earth skewers a modern habit of equating visibility with existence. If the camera is not pointed at someone, we imagine they have vanished. Shackelford punctures that illusion, hinting that work, friendships, and the steady practice of craft continue even without the churn of publicity.
There is also a note of self-possession. Many actors from that era faced typecasting or the challenge of aging within a youth-obsessed medium. Some found new rhythms in daytime dramas, theater, guest roles, or simply a more private life. The comment suggests contentment with a career that has cycles: bursts of fame, quieter seasons, and ongoing engagement with the work itself. It acknowledges the audience’s curiosity while declining to feed the myth that relevance must be constant and loud.
What comes through is a wry affirmation of continuity. A career does not disappear because it is less visible, and a person does not stop existing because a trending feed looks elsewhere. The line asks for a broader definition of presence: staying put, staying active, and staying real in the city where stories are made.
Saying he is still living in LA carries its own nuance. Los Angeles is the symbolic and literal hub of the industry. To live there is to remain in orbit, plugged into the networks of casting, production, and creative collaboration. The joke about not dropping off the face of the earth skewers a modern habit of equating visibility with existence. If the camera is not pointed at someone, we imagine they have vanished. Shackelford punctures that illusion, hinting that work, friendships, and the steady practice of craft continue even without the churn of publicity.
There is also a note of self-possession. Many actors from that era faced typecasting or the challenge of aging within a youth-obsessed medium. Some found new rhythms in daytime dramas, theater, guest roles, or simply a more private life. The comment suggests contentment with a career that has cycles: bursts of fame, quieter seasons, and ongoing engagement with the work itself. It acknowledges the audience’s curiosity while declining to feed the myth that relevance must be constant and loud.
What comes through is a wry affirmation of continuity. A career does not disappear because it is less visible, and a person does not stop existing because a trending feed looks elsewhere. The line asks for a broader definition of presence: staying put, staying active, and staying real in the city where stories are made.
Quote Details
| Topic | Life |
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