"By that sin fell the angels"
About this Quote
Sin, here, isn’t just a moral misstep; it’s the engine of catastrophe, powerful enough to knock even angels out of the sky. Shakespeare’s line, “By that sin fell the angels,” compresses a whole theology of ambition into six words, then weaponizes it for drama. The phrasing is coolly forensic: not “for their sins,” but “by that sin,” singular, pointed, almost evidence tagged and held up to the light. Whatever “that” refers to in a given scene, the implication is the same: there is a specific transgression so corrosive it rewrites the natural order.
The subtext is a warning disguised as a reference. Early modern audiences didn’t need footnotes; the fall of the angels (Lucifer’s rebellion) was cultural common sense, a cosmic precedent for what happens when a creature can’t tolerate its place in the hierarchy. Shakespeare borrows that mythic frame to make human temptation feel less like private weakness and more like participation in an ancient pattern. It’s not merely that wrongdoing is bad; it’s that certain desires - pride, overreach, the itch to be more than you are - carry an apocalyptic charge.
Dramatically, the line functions as moral pressure. It gives a character rhetorical leverage: if angels can fall, you’re not special, and your self-justifications are flimsy. It also adds a delicious irony Shakespeare loves: people reach for angelic language to dignify themselves, while the text reminds us the fastest route to ruin is imagining you’re above ruin.
The subtext is a warning disguised as a reference. Early modern audiences didn’t need footnotes; the fall of the angels (Lucifer’s rebellion) was cultural common sense, a cosmic precedent for what happens when a creature can’t tolerate its place in the hierarchy. Shakespeare borrows that mythic frame to make human temptation feel less like private weakness and more like participation in an ancient pattern. It’s not merely that wrongdoing is bad; it’s that certain desires - pride, overreach, the itch to be more than you are - carry an apocalyptic charge.
Dramatically, the line functions as moral pressure. It gives a character rhetorical leverage: if angels can fall, you’re not special, and your self-justifications are flimsy. It also adds a delicious irony Shakespeare loves: people reach for angelic language to dignify themselves, while the text reminds us the fastest route to ruin is imagining you’re above ruin.
Quote Details
| Topic | Faith |
|---|---|
| Source | Paradise Lost, Book I (John Milton, 1667) — contains the line "By that sin fell the angels". |
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