"Even if you only want to write science fiction, you should also read mysteries, poetry, mainstream literature, history, biography, philosophy, and science"
About this Quote
Walter Jon Williams is smuggling career advice into what sounds like a polite reading list. On the surface, it’s a gentle nudge toward eclectic taste. Underneath, it’s a rebuke of the bunker mentality that genre writing can slip into: the idea that to write science fiction well, you only need to consume science fiction. Williams, a working pro with decades in the trenches, is pointing at the real engine of the form - not spaceships, but synthesis.
The intent is practical. Mysteries teach pacing, misdirection, and the ethics of withholding information. Poetry sharpens attention to rhythm and image, the micro-level craft that keeps even high-concept stories from reading like technical manuals. “Mainstream literature” is a coded reminder that character interiority, social observation, and sentence-level ambition are not optional just because you’ve got aliens. History and biography supply the messy, contradictory motives that make imagined futures feel lived-in rather than merely designed. Philosophy and science do the double duty sci-fi demands: big questions with credible scaffolding.
The subtext is also slightly defensive in a way only a veteran can pull off: if you want the genre to be taken seriously, act like a serious writer. Read beyond your tribe. Borrow tools from everywhere. Science fiction, at its best, is an argument about reality run through an imaginative stress test. Williams is saying the stress test fails if your inputs are all recycled. The future can’t feel new if your mind isn’t.
The intent is practical. Mysteries teach pacing, misdirection, and the ethics of withholding information. Poetry sharpens attention to rhythm and image, the micro-level craft that keeps even high-concept stories from reading like technical manuals. “Mainstream literature” is a coded reminder that character interiority, social observation, and sentence-level ambition are not optional just because you’ve got aliens. History and biography supply the messy, contradictory motives that make imagined futures feel lived-in rather than merely designed. Philosophy and science do the double duty sci-fi demands: big questions with credible scaffolding.
The subtext is also slightly defensive in a way only a veteran can pull off: if you want the genre to be taken seriously, act like a serious writer. Read beyond your tribe. Borrow tools from everywhere. Science fiction, at its best, is an argument about reality run through an imaginative stress test. Williams is saying the stress test fails if your inputs are all recycled. The future can’t feel new if your mind isn’t.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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