"Everything is Song. Everything is Silence. Since it all turns out to be illusion, perfectly being what it is, having nothing to do with good or bad, you are free to die laughing"
About this Quote
Broughton’s line lands like a koan delivered by a prankster: it invites you to take existence seriously enough to stop taking it so personally. “Everything is Song. Everything is Silence” collapses opposites into a single perception. Song is form, pattern, performance; silence is the void that frames it. For a director-poet who lived in the wake of Surrealism, Zen-flavored counterculture, and the postwar American hunger for spiritual alternatives, the point isn’t mystical fog. It’s craft: the world reads differently depending on how you stage your attention.
Then comes the slippery word that would sound nihilistic in lesser hands: “illusion.” Broughton doesn’t use it to dismiss life but to de-moralize it. “Perfectly being what it is” yanks the rug from the idea that reality owes us coherence, fairness, or redemption. The subtext is anti-puritan and anti-scorekeeping: if the universe isn’t a courtroom, you can stop auditioning for innocence.
The kicker, “having nothing to do with good or bad,” is where his queer, bohemian sensibility shows its teeth. It’s a refusal of the social scripts that sort bodies and desires into acceptable and shameful. Freedom arrives not as self-improvement but as comic release: “you are free to die laughing.” Not because death is funny, but because the ego’s melodrama is. The laugh is a final directorial note: step out of the tragedy, see the set, and bow anyway.
Then comes the slippery word that would sound nihilistic in lesser hands: “illusion.” Broughton doesn’t use it to dismiss life but to de-moralize it. “Perfectly being what it is” yanks the rug from the idea that reality owes us coherence, fairness, or redemption. The subtext is anti-puritan and anti-scorekeeping: if the universe isn’t a courtroom, you can stop auditioning for innocence.
The kicker, “having nothing to do with good or bad,” is where his queer, bohemian sensibility shows its teeth. It’s a refusal of the social scripts that sort bodies and desires into acceptable and shameful. Freedom arrives not as self-improvement but as comic release: “you are free to die laughing.” Not because death is funny, but because the ego’s melodrama is. The laugh is a final directorial note: step out of the tragedy, see the set, and bow anyway.
Quote Details
| Topic | Wisdom |
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