"Fear of error which everything recalls to me at every moment of the flight of my ideas, this mania for control, makes men prefer reason's imagination to the imagination of the senses. And yet it is always the imagination alone which is at work"

Louis Aragon's quote looks into the tension between reason and imagination, especially the worry of error that drives individuals to prefer rationality over sensory experience. At its core, Aragon highlights a human tendency to look for control and certainty, which typically leads to the prioritization of factor's imagination-- essentially structured, logical thinking-- over the more fluid and spontaneous creativity of the senses.

The "fear of mistake" he speaks of suggests that individuals are constantly haunted by the possibility of being wrong, of making mistakes. This worry acts as a deterrent, preventing the free-fall of our psychological processes, explained here as the "flight of my ideas". It shows a wider existential apprehension, one that obliges people to hold on to the perceived safety and reliability of logical idea processes. This desire for control manifests as a "mania" in Aragon's words, suggesting an obsessive requirement to arrange and manage thoughts to comply with socially and personally acceptable structures.

However, Aragon challenges this obsession by asserting the supremacy of the imagination. In spite of our efforts to anchor thoughts in factor, it is ultimately the imagination-- unbounded and sensory-- that really operates at the heart of human experience. This creativity is uninhibited, drawing from sensory impressions and feelings rather than cold logic.

Aragon's declaration recommends that while factor's creativity tries to construct organized stories consistent with societal norms, the imagination of the senses embraces the disorderly and the novel. It indicates a belief in the essential power of creativity to go beyond restraints, using creative viewpoints that pure factor might ignore or suppress. Through this, Aragon underscores the idea that creativity is essential, not merely a tool subordinate to reasoning, however an active, driving force in its own right. Creativity and development arise from this sensory creativity, suggesting that welcoming it could result in richer, more extensive understandings of the world.