"Find beauty not only in the thing itself but in the pattern of the shadows, the light and dark which that thing provides"
About this Quote
Beauty, for Tanizaki, isn’t a spotlighted object; it’s an atmosphere you have to earn by paying attention. The sentence quietly refuses the modern habit of isolating “the thing itself” as if it were a product photo with the background removed. Instead, he relocates aesthetic pleasure into the relationship between object and environment: the “pattern of the shadows” becomes not an accident but a partner, co-authoring what we see.
The intent is both artistic and polemical. Tanizaki is writing out of a Japan rapidly refitted with Western lighting, white walls, chrome, and the cult of clarity. In that context, insisting on “light and dark” reads as a defense of a sensibility threatened by electrification and standardization. It’s not nostalgia for dim rooms; it’s a critique of a civilization that equates brightness with truth and cleanliness with value. Shadows, here, aren’t concealment but texture, the place where nuance lives.
Subtext: the object alone is never the full story. A lacquer bowl, a face, a sentence - their depth depends on what’s withheld, softened, partially obscured. Tanizaki’s phrasing turns perception into ethics: to find beauty in shadows is to respect ambiguity, to accept that refinement can be indirect. The quote works because it flips the hierarchy. The “thing” is merely the anchor; meaning happens in the gradients around it, where the eye and the imagination have room to collaborate.
The intent is both artistic and polemical. Tanizaki is writing out of a Japan rapidly refitted with Western lighting, white walls, chrome, and the cult of clarity. In that context, insisting on “light and dark” reads as a defense of a sensibility threatened by electrification and standardization. It’s not nostalgia for dim rooms; it’s a critique of a civilization that equates brightness with truth and cleanliness with value. Shadows, here, aren’t concealment but texture, the place where nuance lives.
Subtext: the object alone is never the full story. A lacquer bowl, a face, a sentence - their depth depends on what’s withheld, softened, partially obscured. Tanizaki’s phrasing turns perception into ethics: to find beauty in shadows is to respect ambiguity, to accept that refinement can be indirect. The quote works because it flips the hierarchy. The “thing” is merely the anchor; meaning happens in the gradients around it, where the eye and the imagination have room to collaborate.
Quote Details
| Topic | Art |
|---|---|
| Source | In Praise of Shadows (essay), Jun'ichiro Tanizaki, 1933 — line appears in English translations referring to finding beauty in the pattern of shadows, light and dark. |
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