"For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid"

David Fincher's quote provides a peek into the complex and frequently inconsistent landscape of the film industry, from the perspective of someone with significant experience in filmmaking. Fincher, renowned for directing seriously acclaimed films, touches on the dichotomy in between the artistic and commercial aspects of movie-making.

The quote opens by explaining two unique groups within the market: those who fund movies and those who negotiate the offers. Fincher's experience around these groups suggests immersion in the business side of filmmaking, where financial and legal factors to consider significantly affect the trajectory of imaginative projects.

Fincher reveals a sense of naivety he held concerning the motives of people involved in filmmaking. He thought, as many idealists do, that the cumulative goal was to develop the best possible movies-- a frequently held yet simplistic belief presuming selfless intentions in a significantly complicated market. This viewpoint shows an artist's hope that quality and imagination are universal top priorities. However, he identifies this concept as "silly," meaning a sobering realization that, in truth, the inspirations driving film production extend beyond artistic benefit.

The use of the word "foolish" underscores a harsh awakening to the market's practical nature. It recommends that financial viability, marketability, and deal-making frequently eclipse pure innovative goals. Fincher's comment might be interpreted as a critique of the industry's mechanics, where the art of filmmaking is regularly secondary to financial concerns.

Eventually, the quote encapsulates a common stress in imaginative industries: the balance in between artistic integrity and industrial demands. It functions as a pointer of the stark realities filmmakers face, where the vision for creating high-quality art can be challenged or even compromised by company imperatives. Fincher's reflective tone invites discussion about the requirement for understanding and browsing this complicated interplay to effectively realize artistic projects within a primarily profit-driven framework.