"Heaven fashioned us of nothing; and we strive to bring ourselves to nothing"
About this Quote
Webster lands a dagger and then twists it: creation as a cosmic joke with a human punchline. "Heaven fashioned us of nothing" borrows the orthodox comfort of divine making, then drains it of warmth. The raw material isn’t noble clay or sacred breath; it’s absence. In Webster’s Jacobean universe, that’s not metaphysics for its own sake. It’s stage lighting. If you start from nothing, then all the courtly glitter - titles, inheritances, reputations - reads as a frantic costume change before the trapdoor opens.
The second clause is where the cynicism sharpens into accusation. We don’t merely return to nothing; we strive to bring ourselves to nothing. The verb makes self-destruction an ambition, a social project. It catches the obsessive, competitive energy of Webster’s tragedies: characters weaponize desire, vanity, and status until they corrode their own bodies and souls. "Heaven" is distant, almost bureaucratic; human agency is the real engine of ruin. That grim emphasis reflects a post-Reformation anxiety about corruption and mortality, amplified by a court culture where advancement could depend on intrigue and where downfall was entertainment.
The line works because it compresses a whole worldview into a single, balanced sentence: divine indifference on one side, human complicity on the other. Webster isn’t asking for pity. He’s forcing recognition that the abyss isn’t just waiting - we keep digging.
The second clause is where the cynicism sharpens into accusation. We don’t merely return to nothing; we strive to bring ourselves to nothing. The verb makes self-destruction an ambition, a social project. It catches the obsessive, competitive energy of Webster’s tragedies: characters weaponize desire, vanity, and status until they corrode their own bodies and souls. "Heaven" is distant, almost bureaucratic; human agency is the real engine of ruin. That grim emphasis reflects a post-Reformation anxiety about corruption and mortality, amplified by a court culture where advancement could depend on intrigue and where downfall was entertainment.
The line works because it compresses a whole worldview into a single, balanced sentence: divine indifference on one side, human complicity on the other. Webster isn’t asking for pity. He’s forcing recognition that the abyss isn’t just waiting - we keep digging.
Quote Details
| Topic | Deep |
|---|---|
| Source | Help us find the source |
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