"He's simply got the instinct for being unhappy highly developed"
About this Quote
Unhappiness here isn’t a mood; it’s a talent. Munro (better known as Saki) delivers the line with the clean cruelty of a drawing-room verdict: the subject isn’t suffering because the world has wronged him, but because he’s good at suffering. “Instinct” makes it sound biological, automatic, almost elegant - a reflex polished into habit. Then “highly developed” twists the knife: this isn’t mere temperament, it’s cultivated expertise, the kind Victorian-Edwardian society pretended not to admire while rewarding it with attention, indulgence, and moral authority.
The intent is diagnostic and dismissive at once. It offers an explanation that strips the unhappy person of tragic dignity. Munro’s narrators often treat emotion as social performance, and this line implies a perverse professionalism: some people learn the shortcuts to grievance, the familiar grooves of disappointment, the reliable payoff of being wronged. The subtext is that misery can be strategic - a way to control a room, win sympathy, avoid responsibility, or simply stay interesting when actual stakes are low.
Contextually, it sits comfortably in Saki’s satirical ecosystem: upper-class characters whose lives are insulated from material catastrophe, yet who manage to curate private melodramas with exquisite care. The comedy comes from the mismatch between the medical-sounding phrasing and the petty human reality. Munro isn’t denying pain exists; he’s skewering the way a certain class turns discontent into identity, and then calls it depth.
The intent is diagnostic and dismissive at once. It offers an explanation that strips the unhappy person of tragic dignity. Munro’s narrators often treat emotion as social performance, and this line implies a perverse professionalism: some people learn the shortcuts to grievance, the familiar grooves of disappointment, the reliable payoff of being wronged. The subtext is that misery can be strategic - a way to control a room, win sympathy, avoid responsibility, or simply stay interesting when actual stakes are low.
Contextually, it sits comfortably in Saki’s satirical ecosystem: upper-class characters whose lives are insulated from material catastrophe, yet who manage to curate private melodramas with exquisite care. The comedy comes from the mismatch between the medical-sounding phrasing and the petty human reality. Munro isn’t denying pain exists; he’s skewering the way a certain class turns discontent into identity, and then calls it depth.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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