"I always feel like the art's there and I just see it, so it's not really a lot of work"

Damien Hirst's statement, "I constantly seem like the art's there and I just see it, so it's not really a great deal of work", uses a profound insight into his imaginative process and philosophy as an artist. At its core, this quote suggests that Hirst views the creation of art not as an act of crafting something totally brand-new, but rather as a process of discovery and discovery. The art, in his viewpoint, currently exists worldwide around him, waiting to be observed and analyzed.

This approach lines up with the wider creative philosophy where the artist acts as an avenue more than a creator. By saying "the art's there", Hirst indicates a pre-existing universe of visual possibilities. His function, for that reason, is to perceive and draw out these elements, aligning with the idea of artists as "seers" who bring covert beauty to light. Such an outlook underlines an intuitive connection to his work, where intuition guides the process rather than careful planning or tiresome effort.

Additionally, Hirst's use of the expression "not truly a lot of work" can be analyzed in different methods. It might reflect his personal ease with his artistic practice, recommending that imagination streams naturally for him. Alternatively, it might mean his belief in the availability of art-- the concept that anybody can engage with the creative procedure if they open themselves to seeing the world in a different way.

Nevertheless, this perspective might also trigger dispute or criticism. Some might view it as reducing the technical skills and effort that many artists invest in their creations. Yet, it's essential to understand Hirst's more comprehensive context. Known for conceptual works often performed by assistants, his art difficulties traditional notions of creative labor and creativity.

In essence, Hirst is highlighting the value of understanding and vision in art. By framing imagination as a type of seeing rather than making, he raises the act of observation as an important part of the creative process, one that goes beyond conventional limits of effort and production.