"I am called a dog because I fawn on those who give me anything, I yelp at those who refuse, and I set my teeth in rascals"
About this Quote
Diogenes leans into the insult and sharpens it into a moral weapon. “Dog” was a slur for the shameless, the uncivilized, the person who wouldn’t play by polite Athens’s rules. Instead of defending himself, he accepts the label and rewrites its meaning: if being a dog means reacting honestly to power, scarcity, and corruption, then the city’s “respectable” humans start to look like the real animals.
The line works because it’s both confession and accusation. “I fawn on those who give me anything” sounds degrading until you remember his chosen poverty. He’s not flattering patrons to climb; he’s acknowledging dependence as a biological fact, stripping away the euphemisms elites use to make patronage look like virtue. “I yelp at those who refuse” is the politics of refusal turned outward: he doesn’t dignify gatekeeping with calm philosophical prose. He makes it noisy, embarrassing, public.
Then the pivot: “I set my teeth in rascals.” The dog is suddenly not a beggar but a guard. Cynicism (from kynikos, “dog-like”) becomes a stance: sniff out hypocrisy, bite at fraud, protect the commons by refusing the decorum that shields the powerful. Diogenes’s genius is rhetorical judo: he takes a stigma meant to exclude him and uses it to indict a society where generosity is leverage, refusal is cruelty, and “rascals” flourish behind manners. The subtext is brutal: civilization is often just a nicer costume for domination, and sometimes the only honest ethics is canine.
The line works because it’s both confession and accusation. “I fawn on those who give me anything” sounds degrading until you remember his chosen poverty. He’s not flattering patrons to climb; he’s acknowledging dependence as a biological fact, stripping away the euphemisms elites use to make patronage look like virtue. “I yelp at those who refuse” is the politics of refusal turned outward: he doesn’t dignify gatekeeping with calm philosophical prose. He makes it noisy, embarrassing, public.
Then the pivot: “I set my teeth in rascals.” The dog is suddenly not a beggar but a guard. Cynicism (from kynikos, “dog-like”) becomes a stance: sniff out hypocrisy, bite at fraud, protect the commons by refusing the decorum that shields the powerful. Diogenes’s genius is rhetorical judo: he takes a stigma meant to exclude him and uses it to indict a society where generosity is leverage, refusal is cruelty, and “rascals” flourish behind manners. The subtext is brutal: civilization is often just a nicer costume for domination, and sometimes the only honest ethics is canine.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Diogenes of Sinope — quotation recorded on Wikiquote (Diogenes of Sinope page). |
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