"I come in. I'm going to sketch, I'm going to drape, I don't know what I'm going to do"

Geoffrey Beene's quote, "I can be found in. I'm going to sketch, I'm going to curtain, I don't understand what I'm going to do", encapsulates the essence of creative spontaneity and the fluidity of the style process. This expression shows the intrinsic nature of artistic endeavors, where structure and turmoil exist side-by-side. Beene, a renowned American designer, was renowned for his innovative yet downplayed technique to females's fashion. His words provide insight into the frame of mind of an innovative expert who enables the artistic process to guide them, rather than sticking to a rigid strategy.

By stating, "I can be found in", Beene sets the scene for entering an evocative work area-- a blank canvas filled with unlimited possibilities. The immediacy of his words suggests a sense of seriousness and enjoyment, as if entering this sacred area revitalizes his imagination.

When he points out, "I'm going to sketch, I'm going to drape", Beene highlights the tactile nature of his work. Sketching recommends the preliminary seed of a concept, the expedition of forms, and the visual articulation of thoughts. Draping, on the other hand, suggests a more tactile and interactive method, where the physical control of fabric is as crucial as the conception stage. This duality speaks to the designer's adaptability and the requirement to engage with multiple mediums and methods to achieve a vision.

Nevertheless, the most telling part of the quote lies in "I don't know what I'm going to do". This declaration embodies the unpredictability and openness required in real artistic expedition. It underscores a determination to accept unpredictability, permitting instinct to shape the outcome. This openness can lead to unanticipated innovations, as it allows one to transcend conventional boundaries.

Basically, Beene's words advise us of the dynamic and ever-evolving nature of creative work. His approach embraces the journey of discovery and change, not being restricted by presumptions or expectations, which is important for any pioneering designer. Through this approach, Beene's work stays emblematic of imagination unhindered by restrictions.