"I did quite a lot of the arranging, fitting different sections together, tempo changes, all sorts of things like that. I actually acted as a bridge between Robert and Ian. Not so much composing, rather presenting musical ideas at each rehearsal"

This quote from Michael Giles offers a revealing insight into his function and contributions within a collaborative musical setting. Giles, primarily called the original drummer for the progressive rock band King Crimson, discusses his function in the innovative procedure, highlighting the nuanced and typically understated functions that musicians can play within a band.

Giles emphasizes his contributions to "arranging" and "fitting different sections together", showing that he played a substantial function in structuring and organizing musical pieces. Arranging refers to the method which a piece of music is sculpted and pieced together. It includes decisions about instrumentation, the order of musical sections, transitions, and characteristics. By managing the tempo changes and fitting musical sections together, Giles underscores his ability for developing coherence and fluidity within complex structures, a hallmark of progressive rock music known for its intricate structures and shifting time signatures.

By serving as a "bridge in between Robert and Ian", probably referring to fellow band members Robert Fripp and Ian McDonald, Giles highlights his mediating role. This suggests that he not just contributed artistically however also assisted in collaboration and communication in between various members with possibly differing musical visions or concepts. This sort of intermediary function is important in a band setting, where stabilizing several innovative inputs can be tough yet important for the development of a cohesive noise.

Remarkably, Giles distances himself from the role of a standard author, rather explaining his work as "providing musical ideas at each wedding rehearsal". This distinction highlights a collective, iterative procedure, where music production is dynamic and cumulative instead of exclusively the product of private genius. His focus on providing and improving ideas reflects a democratic technique to music-making, encouraging input and development at each phase.

In general, Giles' reflections clarified the complex, multifaceted roles artists play in producing music, emphasizing the important value of arrangement, collaboration, and communication within a band.