Derek Bailey, a prominent figure in progressive and totally free improvisation music, apparently when remarked, "I don't research anything". This quote, while brief, encapsulates a depth of insight into Bailey's viewpoint of music and improvisation. To analyze this declaration, we need to take a look at the context of Bailey's career and the broader landscape of musical expedition he lived in.
Bailey's tradition is deeply intertwined with the world of improvisation, a category that frequently shuns standard structures and established paths. By specifying, "I don't research anything", Bailey is most likely stressing his dedication to spontaneity and the unfiltered expression of the minute. In improvisation, premeditation can be seen as a constraint that limits the credibility of the performance. For that reason, distancing oneself from research or formal preparation can promote a purer kind of creativity, allowing the artist to respond intuitively to the characteristics of the environment and the energies of fellow performers.
Additionally, this quote could show Bailey's rejection of standard academic or theoretical restraints in music. By not looking into, Bailey might be critiquing how musical exploration is frequently bound by existing knowledge and institutionalized norms. He is promoting for a process of creation that is more instinctual and experiential, instead of intellectual or analytical. This technique lines up with the principles of many progressive artists who seek to challenge established conventions and discover brand-new modes of artistic expression.
Furthermore, Bailey's statement mean the significance he puts on personal experience and internal exploration over external study. It is possible he thought that authentic artistry emerges not from external sources but from a reflective understanding and connection with one's instrument and self.
In essence, by saying, "I don't research anything", Bailey champions an extreme self-reliance in the innovative process, valuing intuition, instant interaction, and emotive expression over conventional knowing and structured exploration. This point of view not just defines his method to music however also functions as an invite to other artists to accept the unpredictabilities and freedoms discovered in the act of development.
