"I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds"

Edward Hopper, in this quote, explores the frequently turbulent and unforeseeable nature of the innovative process. He articulates an experience typical to artists, where the initial concept or vision they hold for a piece of work hardly ever makes it through undamaged through the act of creation. This is mostly due to "the disturbing intrusion of elements not a part of my most interested vision". Here, Hopper acknowledges that external factors-- whether they be environmental influences, unforeseen ideas that develop during the imaginative process, and even personal feelings and subconscious ideas-- can disrupt and modify the initial intent of the art work.

The term "disturbing" recommends a sense of aggravation or obstacle, as these invasions can be viewed as challenges that must be negotiated or incorporated into the work. However, this disruption isn't completely unfavorable. It's part of the natural and vibrant nature of imagination, highlighting that art isn't produced in a vacuum but instead is a living, evolving interaction in between the artist's intents and these unanticipated impacts.

"Inevitable obliteration and replacement of this vision" shows a further phase in the imaginative journey. As the work progresses, the overtaking of the initial vision by new developments represents a change, where the artwork starts to determine its own direction independent of the artist's preliminary roadmap. This part of the process can be both disarming and liberating, leading to outcomes that might be more extensive or unexpected than originally prepared.

Hopper's insight captures the paradox of artistic creation: while artists begin with a clear vision, the act of creation is a discussion with the unknown. The original vision works as a guiding star, but it's the desire to adjust to and include these interruptions that often leads to the most authentic and resonant artistic expressions. In essence, Hopper exposes the art of making art lies not just in expressing a preconceived vision however in the ability to browse and embrace the unpredicted, allowing the work to progress beyond its preliminary conception.