"I give the name violence to a boldness lying idle and enamored of danger"
About this Quote
Genet’s “violence” isn’t the punch thrown; it’s the punch rehearsed in the mind, the craving for rupture that never quite commits. By naming violence as “a boldness lying idle,” he drags it out of the courtroom definition (harm, injury, force) and into the psychological theater where Genet always preferred to work: desire, spectacle, transgression. The phrase “lying idle” is the blade twist. Boldness is usually celebrated as action; Genet frames it as a stalled engine, a readiness without discharge. Violence becomes less an event than a posture, an eroticized suspension.
“Enamored of danger” makes the subtext explicit: this is about attraction, not necessity. Danger is not something to avoid but to court, like a lover. Genet, the thief-turned-writer who built art out of criminal mythology and social exile, is diagnosing the kind of bravado that feeds on risk for its own sake. It’s not revolutionary courage with a program; it’s a seduction by intensity, a hunger to feel real through proximity to catastrophe.
The line also reads as a critique of macho aesthetics: the fetish of menace without the moral cost of follow-through. Violence, here, is an identity performance - boldness as costume - lingering in the charged moment before consequence arrives. Genet’s intent is to expose how often “violence” starts as longing: not for justice, but for danger’s glamour, for the clean clarity it promises to people bored with ordinary life.
“Enamored of danger” makes the subtext explicit: this is about attraction, not necessity. Danger is not something to avoid but to court, like a lover. Genet, the thief-turned-writer who built art out of criminal mythology and social exile, is diagnosing the kind of bravado that feeds on risk for its own sake. It’s not revolutionary courage with a program; it’s a seduction by intensity, a hunger to feel real through proximity to catastrophe.
The line also reads as a critique of macho aesthetics: the fetish of menace without the moral cost of follow-through. Violence, here, is an identity performance - boldness as costume - lingering in the charged moment before consequence arrives. Genet’s intent is to expose how often “violence” starts as longing: not for justice, but for danger’s glamour, for the clean clarity it promises to people bored with ordinary life.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
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