"I might run from her for a thousand years and she is still my baby child. Our love is so furious that we burn each other out"
About this Quote
Burton isn’t describing romance so much as confessing to a lifelong possession he can’t legally defend. “I might run from her for a thousand years” lands like a movie star’s attempt at escape velocity: dramatic, hyperbolic, almost performative. But the line swerves immediately into the trapdoor of dependency: “she is still my baby child.” That phrase is the tell. He’s not just in love; he’s recasting the relationship in parental terms, where devotion is automatic and authority is implied. It’s tender on the surface, unnerving underneath - an emotional power play dressed as inevitability.
Then comes the hard pivot: “Our love is so furious that we burn each other out.” Furious isn’t poetic decoration; it’s a diagnosis. Burton frames passion as combustion, not comfort, which smuggles in a kind of absolution: if the relationship destroys, it’s because it’s elemental, not because they’re reckless. The metaphor also flatters the audience’s appetite for doomed grandeur. This isn’t two people failing at stability; it’s an epic too hot to survive.
Context matters because Burton’s public mythology (especially the Burton-Taylor saga) trained him to speak in lines that sound like they belong on a poster. The intent here feels double: reassure himself that separation doesn’t sever the bond, and justify the damage as the price of an extraordinary love. The subtext is less “we’re soulmates” than “I can’t quit, and I need that to sound noble.”
Then comes the hard pivot: “Our love is so furious that we burn each other out.” Furious isn’t poetic decoration; it’s a diagnosis. Burton frames passion as combustion, not comfort, which smuggles in a kind of absolution: if the relationship destroys, it’s because it’s elemental, not because they’re reckless. The metaphor also flatters the audience’s appetite for doomed grandeur. This isn’t two people failing at stability; it’s an epic too hot to survive.
Context matters because Burton’s public mythology (especially the Burton-Taylor saga) trained him to speak in lines that sound like they belong on a poster. The intent here feels double: reassure himself that separation doesn’t sever the bond, and justify the damage as the price of an extraordinary love. The subtext is less “we’re soulmates” than “I can’t quit, and I need that to sound noble.”
Quote Details
| Topic | Soulmate |
|---|---|
| Source | Help us find the source |
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