"I think there have been some periods when the writing almost became a bit of a burden"

Leo Ornstein, a pioneering author in the early 20th century, is known for his avant-garde contributions to music. His quote, "I think there have been some periods when the writing almost became a little bit of a burden", offers a revealing glance into the complexities of the innovative process, especially for artists operating at the cutting edge of their field.

In this declaration, Ornstein acknowledges the dual nature of artistic creation. On one hand, composing is an act of passion and expression, a way through which the artist communicates extensive emotions and abstract ideas. On the other hand, this act can often turn burdensome, suggesting durations when the pressures of development, expectations, or individual imaginative blocks tax the creator. The choice of the word "nearly" signifies a limit that was perilously near being crossed, suggesting intense periods of challenge that fall short of completely eclipsing his artistic drive.

For Ornstein, whose musical innovations defied conventionality and ran the risk of important misconception, writing may have impersonated a substantial obstacle, possibly due to the continuous need to push limits in a world that was not always all set for such a radical shift. This problem might also originate from external pressures-- expectations from critics, audiences, or even self-imposed demands for continual novelty and importance.

Additionally, creativity inherently oscillates between inspiration and battle. Artists typically face stages where their vision feels stagnant, concepts do not stream effortlessly, or the work does not satisfy their expectations. For Ornstein, a composer understood for his daring and in some cases dissonant structures, these durations might have been particularly acute when his cutting-edge concepts clashed with technical execution or larger acceptance.

Ultimately, Ornstein's reflection is an honest admission of the obstacles every innovative specific faces. It humanizes the creative endeavor by accepting that the path to innovation is not always underpinned by pure happiness however is likewise marked by trials that require strength and versatility.