"If you think you might have secret information listening to me, you're lost"

In the quote "If you think you might have secret info listening to me, you're lost", Morton Feldman, a prominent American author understood for his ingenious method to music, encapsulates his philosophy toward art and interaction. At its core, this declaration challenges the conventional perception of art as a repository of concealed significances or coded messages. Feldman recommends that if one approaches his work-- or maybe even more comprehensive individual interactions-- with the expectation of revealing concealed truths or secret messages, they may eventually miss out on the essence of the experience.

Feldman's music is frequently defined by its abstract nature and speculative form, concentrating on the experience of sound itself rather than sticking to conventional structures or narrative types. In encouraging listeners to shed the compulsion to discover secret meanings, Feldman is promoting for an engagement with art that is present-focused and experiential. The listener is invited to immerse themselves in the textures, characteristics, and microtonal subtleties of the music, to value its instant impact, free from the problem of deciphering it for hidden significances.

This viewpoint aligns with Feldman's belief in the concept of unpredictability and chance in art, where interpretation is not a procedure of intellectual deciphering, however rather an act of direct perception and emotional reaction. By recommending that those seeking trick understanding are lost, Feldman implies that the real value and power of art lie not in its intellectual deconstruction however in its capability to stimulate a visceral, personal reaction that goes beyond standard understanding.

Moreover, this statement can be seen as a broader commentary on communication and understanding in between people. It recommends that the search for prejudices or subtext can lead one away from genuine connection and understanding. In both art and life, Feldman appears to propose that credibility and presence hold more worth than the pursuit of hidden facts, advocating for an appreciation of the surface area as abundant and complete in and of itself.