"I'll let you in on a secret: I can't stand Jay Ward. I hate being compared to Rocky and Bullwinkle. It's just a different style of humor"
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Kricfalusi’s “secret” isn’t confessional so much as combative: a preemptive strike against the neat critical box people keep trying to tape him into. By naming Jay Ward, he’s not merely slagging off a beloved mid-century cartoon institution; he’s rejecting the cultural shorthand that says all “weird” animation is basically the same lineage. Rocky and Bullwinkle represents a specific kind of American cleverness: arch, wordy, winking at the adults in the room with political and literary parody. Kricfalusi’s comedy, especially in the Ren and Stimpy era, runs on a different fuel - disgust, velocity, rubbery bodies pushed past taste, the joke living in the grotesque close-up rather than the smug aside.
“I hate being compared” is the tell. The anger isn’t about Ward personally; it’s about authorship and control. Comparisons flatten artists into genre, and Kricfalusi built his brand on being unflattenable: the animation crank who treats mainstream polish as a kind of moral failure. The line “It’s just a different style of humor” sounds mild, but it’s the rhetorical trick of someone trying not to sound petty while absolutely sounding petty. Underneath is a demand to be read on his own terms, not as a revivalist or inheritor.
Context matters: animation criticism has long treated cartoons as a single kiddie medium with a few “smart” exceptions. Ward often gets crowned as the respectable ancestor. Kricfalusi is refusing the crown and the family tree, insisting that his tastelessness is not a downgrade from sophistication - it’s the point.
“I hate being compared” is the tell. The anger isn’t about Ward personally; it’s about authorship and control. Comparisons flatten artists into genre, and Kricfalusi built his brand on being unflattenable: the animation crank who treats mainstream polish as a kind of moral failure. The line “It’s just a different style of humor” sounds mild, but it’s the rhetorical trick of someone trying not to sound petty while absolutely sounding petty. Underneath is a demand to be read on his own terms, not as a revivalist or inheritor.
Context matters: animation criticism has long treated cartoons as a single kiddie medium with a few “smart” exceptions. Ward often gets crowned as the respectable ancestor. Kricfalusi is refusing the crown and the family tree, insisting that his tastelessness is not a downgrade from sophistication - it’s the point.
Quote Details
| Topic | Sarcastic |
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