"In fact, it will be very easy to climb the building because of its shape and architecture"
About this Quote
There’s a sly calm in Alain Robert’s “it will be very easy,” the kind of understatement that only works when your resume includes scaling skyscrapers with your bare hands. Coming from an athlete known for turning illegal, impossible-looking climbs into a public spectacle, the line isn’t naive bravado; it’s a deliberate reframing. He takes what everyone else reads as danger and converts it into design logic: shape, architecture, the building itself as an invitation.
The intent is practical on the surface - he’s assessing a route, reading the facade like a climber reads rock. But the subtext is performance. “Easy” is a provocation aimed at two audiences at once: spectators who consume risk as entertainment, and authorities who define boundaries through permits, liability, and “public safety.” By treating the building as climbable “because of its architecture,” Robert implies that modern cities accidentally manufacture their own rule-breakers. Glass seams, ledges, maintenance ribs - features meant for construction and upkeep become handholds in a parallel, unauthorized use of space.
Context matters because Robert’s climbs live at the intersection of sport, trespass, and media. He often speaks with engineer-like confidence to normalize the act, stripping it of melodrama. That rhetorical move is part of the stunt: if he can describe a skyscraper the way someone describes a staircase, he’s already halfway to making the taboo seem ordinary. The sentence sells audacity as mere geometry, turning fear into a technicality.
The intent is practical on the surface - he’s assessing a route, reading the facade like a climber reads rock. But the subtext is performance. “Easy” is a provocation aimed at two audiences at once: spectators who consume risk as entertainment, and authorities who define boundaries through permits, liability, and “public safety.” By treating the building as climbable “because of its architecture,” Robert implies that modern cities accidentally manufacture their own rule-breakers. Glass seams, ledges, maintenance ribs - features meant for construction and upkeep become handholds in a parallel, unauthorized use of space.
Context matters because Robert’s climbs live at the intersection of sport, trespass, and media. He often speaks with engineer-like confidence to normalize the act, stripping it of melodrama. That rhetorical move is part of the stunt: if he can describe a skyscraper the way someone describes a staircase, he’s already halfway to making the taboo seem ordinary. The sentence sells audacity as mere geometry, turning fear into a technicality.
Quote Details
| Topic | Adventure |
|---|---|
| Source | Help us find the source |
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