"It had rained on some vivid green ferns in Maine and it was quite beautiful. I was moving the camera slightly and studying the ground glass. Looking at those 20 square inches, trying to find out just what were the right elements to include"

The quote by John Sexton records a minute of introspective artistry and meticulous observation. It offers a look into the mind of a photographer dedicated to catching the ethereal appeal of nature. Let's break down the aspects of the quote.

First of all, the setting is Maine, renowned for its lush landscapes and vibrant foliage. The rain on the vibrant green ferns suggests a fresh, rejuvenated environment, where the colors are likely more saturated and alive. This scene sets the stage for a fascinating visual experience, one that is naturally short-term and ripe for photographic capture.

Sexton describes "moving the cam slightly and studying the ground glass", which is a reference to the procedure of composing an image utilizing a view cam. This method requires the image to be seen on a ground glass screen before taking the photograph, necessitating a slow and purposeful method. This cautious observation through the ground glass allows Sexton to immerse himself completely in the act of seeing, changing photography into a nearly meditative practice.

The phrase "Looking at those 20 square inches" highlights the minimal yet vital space readily available within the camera's viewfinder. This confined location is a metaphor for the professional photographer's canvas, which need to be filled with the most evocative components to communicate the wanted feeling or narrative of the scene. Sexton's cautious choice of "the right elements to consist of" speaks to his intent to achieve a balance and consistency within the frame, encapsulating not just the physical appearance however also the mood and essence of the moment.

In general, this quote highlights the artistry and dedication involved in photography. It shows a deep connection with nature and a desire to distill a fleeting moment into an ageless image, capturing not simply sights however likewise the sentiments stimulated by those sights.