"It is a maxim of old that among themselves all things are common to friends"
About this Quote
A line like this sounds like a comforting proverb until you remember who’s saying it: Racine, the great anatomist of love turned corrosive. “All things are common to friends” isn’t a Hallmark sentiment in his universe; it’s a pressure test. The maxim leans on the authority of age (“of old”), smuggling a social rule into the scene as if it were neutral truth. That’s the trick: once a principle is framed as tradition, it stops looking like a choice and starts acting like an obligation.
In Racine’s dramatic world, friendship is rarely a calm harbor. It’s a contract constantly renegotiated under the stress of desire, rank, and political survival. “Common” can mean generosity, sure, but it also means access: to secrets, to favors, to people. What counts as a “thing” between friends? Money and shelter are easy. Information is harder. Loyalty is hardest. The maxim’s elegance lets it do double duty: it can justify selfless sacrifice or rationalize the kind of entitlement that friendship, at court, often becomes.
Context matters here: 17th-century France is a culture obsessed with decorum and patronage, where relationships are infrastructure. Racine’s characters don’t simply feel; they maneuver. By invoking an old maxim, the speaker can dress a demand in moral clothing, turning intimacy into leverage. The subtext is sharp: if you refuse, you’re not merely saying no, you’re defecting from friendship itself.
In Racine’s dramatic world, friendship is rarely a calm harbor. It’s a contract constantly renegotiated under the stress of desire, rank, and political survival. “Common” can mean generosity, sure, but it also means access: to secrets, to favors, to people. What counts as a “thing” between friends? Money and shelter are easy. Information is harder. Loyalty is hardest. The maxim’s elegance lets it do double duty: it can justify selfless sacrifice or rationalize the kind of entitlement that friendship, at court, often becomes.
Context matters here: 17th-century France is a culture obsessed with decorum and patronage, where relationships are infrastructure. Racine’s characters don’t simply feel; they maneuver. By invoking an old maxim, the speaker can dress a demand in moral clothing, turning intimacy into leverage. The subtext is sharp: if you refuse, you’re not merely saying no, you’re defecting from friendship itself.
Quote Details
| Topic | Friendship |
|---|---|
| Source | Help us find the source |
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