"It is gorgeously shot, and Andrew believes that the old school way of making films in the best way. Meaning: you have a story, and you stick to the story. You don't change and alter the story because of people who've invested in it and what to put product in a shot"

In the quote by Michael Berryman, he highlights a reverence for conventional filmmaking that focuses intensely on the stability of the story, recommending a contrast with modern practices that might prioritize other considerations. The phrase "gorgeously shot" describes the visual aesthetics of a film, indicating that the film in question is crafted with artistic ability and attention to detail. This recommends a dedication to the craft of filmmaking, placing value on visuals that boost the storytelling experience.

Andrew, most likely a filmmaker or within the filmmaking market, staunchly believes in what is described the "old school method" of developing films. This belief signifies a viewpoint that focuses on the original story without succumbing to external influences, especially commercial pressures. In this context, Berryman underscores the value of staying with the original story, implying a type of creative integrity where the story is kept pure and untainted by external forces, such as monetary backers or marketers.

The quote shows a critique of modern filmmaking patterns where stories can be customized or improved to accommodate investments or item placements. These modifications may undermine the storytelling process by inserting aspects that do not serve the story however rather cater to financial incentives. It indicates a tension in between art and commerce in the movie industry, promoting for imaginative decisions that focus on narrative authenticity over financial gain.

In essence, Berryman utilizes Andrew's perspective to promote a filmmaking principles that values story integrity and artistic commitment. By emphasizing the "finest way" as one that stays true to the story, he aligns himself with a custom that resists commercial pressures, highlighting a prospective loss of artistry when storytelling becomes secondary to business interests.