"It makes it difficult to decide which to go see, since no film about say, some tragic genocide in Africa is going to get a bad review even if it's poorly made"

In this quote, filmmaker Terry Zwigoff reveals a crucial observation about the characteristics of movie criticism and the perceived biases that may exist when assessing motion pictures on certain delicate topics. By highlighting the example of a film about a "awful genocide in Africa", Zwigoff points out the ethical and psychological complexities that customers may face when evaluating films dealing with serious and serious topics. The argument here is that such movies, due to their heavy themes and ethical value, might be protected from unfavorable evaluations, despite their actual artistic or technical quality.

Zwigoff suggests that the subject alone can in some cases eclipse the typical requirements by which movies are evaluated. This could cause a possible issue for audiences who count on reviews as a guide for picking movies they wish to enjoy. If evaluations are affected by the material's gravity rather than the film's execution, audiences might find it challenging to determine which films are worth their time.

The underlying review speaks to the more comprehensive discussion about stabilizing level of sensitivity towards serious problems with the requirement for honest appraisal of creative works. While extensive narratives are worthy of recognition, Zwigoff suggests that they ought to not be unsusceptible to critique. Excellent objectives or the significance of the subject should not instantly equate into favorable reviews if the movie, as a piece of art, fails to provide on other fronts, such as storytelling, direction, acting, or production quality.

This point of view motivates the cultivation of a more nuanced kind of criticism that honors the value of important subject matter while also holding it to rigorous artistic requirements. Ultimately, Zwigoff's observation welcomes discourse on how movie critics and audiences can responsibly engage with movies that tackle painful real-world events, making sure that their cultural and artistic worth is both acknowledged and inspected without bias.