"It was only supposed to be on WCW compilation; on that wrestling compilation. And for that I thought it was good. And then we threw it on our record as well"

Kerry King's quote shows a candid insight into the creative and decision-making procedures in the music market, particularly in relation to the band Slayer's technique to their work and partnership with external projects. In this case, King is describing a particular track initially intended for a WCW (World Champion Fumbling) collection.

The expression "It was only supposed to be on WCW compilation" indicates that the preliminary plan was for this particular piece of music to serve a particular function for a wrestling-themed album. Wrestling, especially in the late 1990s and early 2000s, was not just a sport however a popular culture phenomenon, typically mixing with other entertainment types like music to boost its appeal. Music compilations were utilized to complement the intense and theatrical nature of wrestling, and having a track on such a compilation could suggest a strategic alliance aimed at reaching a more comprehensive audience.

King's acknowledgment that "for that I believed it was great" recommends a practical method to the song's quality and purpose. He acknowledges that within the context of a wrestling collection, the track served its desired purpose successfully. This might indicate that the aesthetic or thematic components of the song were created particularly to align with the energetic, aggressive, and remarkable styles normal of wrestling entertainment.

The subsequent decision to "throw it on our record as well" suggests a reassessment or newfound gratitude for the track's possible beyond its original function. This choice may have been driven by the band's belief that the tune held intrinsic value that matched their album or that fans would value it, thereby boosting the album's appeal. It shows a flexible and opportunistic technique to music production, where a track initially seen as ancillary or niche is rearranged to become part of the band's mainstream output.

In general, King's quote captures the crossway of innovative intentions, strategic marketing, and adaptability within the music market, using a glimpse into how bands navigate chances to extend their reach and effect.