"It's a fantasy that we could have a president who could actually make choices based on what's right, rather than having to weigh the political fallout. But that's sort of what we're showing. And you can dream"
About this Quote
The sting in Geena Davis's line is how casually it punctures a civic bedtime story. She’s not offering a grand theory of government; she’s naming the quiet bargain most voters already sense: leaders don’t simply choose “right” so much as they negotiate with the weather system of donors, parties, media cycles, and career survival. Calling it “a fantasy” isn’t cynicism for sport. It’s a realism shaped by watching power up close through narrative - and through the gendered scrutiny that Davis, in particular, has spent years tracking in Hollywood and public life.
The subtext is doing two things at once. First, it absolves the audience of naïveté: if you’ve ever felt disappointed by an administration that campaigned on principle and governed by triangulation, you’re not crazy. Second, it defends the role of fiction as a kind of moral laboratory. “That’s sort of what we’re showing” gestures toward the TV-president archetype (the West Wing strain of idealism): storytelling as a space where competence is allowed to be attractive, ethics can beat optics, and leadership isn’t immediately punished for being unpoll-tested.
“And you can dream” lands like a shrug and a dare. It concedes that a politics unchained from fallout may be impossible, then insists the longing still matters. The intent isn’t to replace real institutions with comfort TV; it’s to remind you that imagination is where standards are set. If you can’t picture a leader acting on conviction, you’re easier to manage.
The subtext is doing two things at once. First, it absolves the audience of naïveté: if you’ve ever felt disappointed by an administration that campaigned on principle and governed by triangulation, you’re not crazy. Second, it defends the role of fiction as a kind of moral laboratory. “That’s sort of what we’re showing” gestures toward the TV-president archetype (the West Wing strain of idealism): storytelling as a space where competence is allowed to be attractive, ethics can beat optics, and leadership isn’t immediately punished for being unpoll-tested.
“And you can dream” lands like a shrug and a dare. It concedes that a politics unchained from fallout may be impossible, then insists the longing still matters. The intent isn’t to replace real institutions with comfort TV; it’s to remind you that imagination is where standards are set. If you can’t picture a leader acting on conviction, you’re easier to manage.
Quote Details
| Topic | Decision-Making |
|---|---|
| Source | Help us find the source |
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