"It's often the case with directors that they don't like to share credit, which is the case of Stanley. He would prefer just A Film By Stanley Kubrick including music and everything"

The quote by Terry Southern provides a glimpse into the creative and credit-sharing characteristics frequently found in the movie market, especially in reference to the popular director Stanley Kubrick. Southern's quote recommends a scenario that is not unusual amongst directors-- an inherent unwillingness to share credit for the diverse elements of a film.

Kubrick, understood for his careful technique to filmmaking, is here identified as somebody who might choose to present his films as completely his own creations. The idea of identifying a film "A Film By Stanley Kubrick" indicates a desire to combine the wide range of collaborative efforts into a particular vision, attributing the whole innovative process to Kubrick himself. This does not always weaken the contributions of others included, such as screenwriters, composers, or cinematographers, however it shows a viewed hierarchical state of mind where the director stands at the pinnacle of artistic credit.

This viewpoint can be understood in the context of Kubrick's credibility. He was known for his perfectionism and for being deeply associated with every aspect of his films, from script advancement to the final edit. Such a comprehensive participation could naturally result in a sense of ownership over the whole project, enhancing the idea that the finished product is a symptom of his personal vision.

Southern's tone likewise hints at a common tension in between cooperation and individual acknowledgment in the arts. In filmmaking, a director might be viewed as an auteur, whose unique design and control over a job merit primary credit. Kubrick's case exhibits this auteur theory, suggesting that his impact was so prevalent that the movie's music and every other component could symbolically, if not literally, be attributed to him.

In summary, Southern's quote assesses the complexities of credit attribution in filmmaking, highlighting Kubrick's potentially purposeful elevation of his role as director to encapsulate the total innovative output of his movies. This encapsulates a more comprehensive conversation about ownership, partnership, and the nature of creative legacy in the cinematic world.