"I've always thought of absurdism as a French fad I'd like to belong to"

In the quote "I have actually constantly thought about absurdism as a French trend I want to come from", Robert Sheckley records a playfully self-aware tone that invites readers to check out styles of identity, belonging, and the philosophical underpinnings of absurdism.

Sheckley, a popular American writer understood for his satirical sci-fi, mean the cultural fascination with absurdism that emerged prominently in France during the mid-20th century. Absurdism, frequently associated with figures like Albert Camus and Jean-Paul Sartre, faces the intrinsic meaninglessness of life and the human mission to find purpose in a chaotic universe. By describing it as a "trend", Sheckley both acknowledges the philosophical motion's popularity and injects a sense of paradox, suggesting that even extensive existential questions can become patterns or fashionable affiliations.

The expression "I 'd like to belong to" reflects a yearning for connection and identification with a particular intellectual neighborhood. It suggests a desire not simply to participate in the philosophical discourse, but to be part of a cumulative that explores and maybe even enjoy life's inherent contradictions and absence of fundamental significance. For Sheckley, who typically infused his stories with humor and absurdity, lining up with absurdism may seem like a natural extension of his imaginative and philosophical technique.

Furthermore, the quote underscores the cultural fluidity and exchange of ideas across borders. While absurdism is largely rooted in French intellectual tradition, its appeal transcends geographical limits, speaking with universal human experiences of confusion, marvel, and the search for indicating in the middle of evident absurdity. Sheckley's light-hearted expression of this belief shows not just a personal disposition however also a broader commentary on how philosophical motions can be concurrently profound and fashionable, both existentially significant and whimsically adopted. This duality adds layers to our understanding of absurdism and how people navigate the complexities of both identity and intellectual heritage.