"I've looked at photographs of myself during concerts and it sometimes looks as if I'm in a fencing move, with a guitar in my hands instead of a sword"

In this quote, Neil Diamond is providing a vivid metaphor that juxtaposes the art of playing music with the art of fencing, highlighting the dynamic and physical nature of his performances. By comparing himself to a fencer, Diamond accentuates the accuracy, agility, and intensity required in both activities. A fencing move is fluid, controlled, and purposeful, traits that he recommends likewise characterize his method to handling a guitar during shows.

The imagery of holding a guitar rather of a sword suggests a sense of power and command. The guitar, like a sword, ends up being an extension of the performer's body, used to express emotion and participate in a sort of creative battle-- not versus an opponent, however maybe against the expectations of the audience or the borders of the music itself. Diamond's description implies that he is totally soaked up in the efficiency, losing himself in the rhythm and energy of the minute.

Furthermore, the contrast evokes a sense of drama and phenomenon that frequently accompanies live efficiencies. Like a fencing match, a performance is an event that involves both skill and discussion. It's possible that the fencing example also means the idea of defense and attack, suggesting that Diamond navigates his musical landscape by both securing the integrity of his art and pressing forward with innovative expression.

This metaphor likewise speaks to the physicality and athleticism associated with music performance. It's not merely about playing notes; it has to do with the embodiment of the music, the sweat, the motion, and the adrenaline that includes catching the attention of a live audience. Through this abundant images, Diamond encapsulates the experience of being on stage as one of vigor, focus, and artistry, wherein every strum and movement is determined yet instinctual, similar to the thrusts and parries of a deft fencer.