"I've never, ever in my life enjoyed playing live the way I am now"

In the quote "I've never ever, ever in my life enjoyed playing live the way I am now", Richard Marx communicates a profound change in his experience and appreciation of live performances. This declaration suggests numerous layers of meaning and shows a considerable individual and expert development for the artist.

To start with, the repeating of "ever" emphasizes the depth of modification in his sensations towards performing live. It suggests that even though Marx has had a long and successful profession, something about his present experiences on stage sticks out as extraordinary. This might indicate a newly found happiness or complete satisfaction that he may not have prepared for throughout earlier phases of his profession.

The expression "enjoyed playing live" concentrates on the act of performing in front of an audience, suggesting that Marx finds a distinct pleasure in the instant connection and energy exchange that live music deals. This can stem from a variety of aspects, such as better stage existence, a more authentic connection with his music and audience, or perhaps the advancement of his fan base gradually, which might now include people who engage more deeply with his work.

Additionally, Marx's declaration could also show a broader, more holistic change in his personal life. Artists typically find that as they grow older and accumulate more life experiences, their point of views and priorities shift. This can cause a higher appreciation for the present moment and the joy it brings, devoid of the pressures and anxieties that may have accompanied previously performances.

Additionally, the context in which he expresses this sentiment is crucial. If this declaration was made throughout a tour or a series of performances after a hiatus, it may suggest that going back from the spotlight offered him a rejuvenated outlook and renewed interest for live music.

In essence, Richard Marx's quote talks to a renaissance in his career, defined by a deep, newfound pleasure in performing that perhaps stems from personal development, profession maturity, and the evolving characteristics of his relationship with his music and audience.