"Love commingled with hate is more powerful than love. Or hate"
About this Quote
Oates lands the line like a thrown knife: clipped, almost bratty in its syntax, then chilling in its recognition. “Love commingled with hate” isn’t a poetic paradox here; it’s a chemical formula. Pure love can be idealistic, even fragile. Pure hate can burn out or turn cartoonish. But the hybrid - devotion poisoned by resentment, intimacy fused with grievance - produces the kind of energy that rearranges lives. It’s the engine of obsession, revenge, loyalty tests, and the long slow collapse of relationships that can’t quite let go.
The sentence works because it refuses moral comfort. Oates doesn’t warn you away from the mixture; she simply ranks its force. The abrupt fragment “Or hate” reads like an afterthought that isn’t an afterthought at all: a bleak concession that hate alone is potent, yes, but still somehow less galvanizing than hate that has a human face you once adored. That “Or hate” also has a comic sting, a deadpan shrug at the reader’s desire for balance.
Context matters: Oates’s fiction is crowded with American extremes - violence that feels domestic, trauma that feels ordinary, desire that curdles under social pressure. She’s interested in the way intimacy amplifies brutality, how the closest bonds can generate the most elaborate cruelty. The subtext is almost journalistic in its cynicism: the deepest conflicts don’t come from strangers. They come from people who know exactly where to press.
The sentence works because it refuses moral comfort. Oates doesn’t warn you away from the mixture; she simply ranks its force. The abrupt fragment “Or hate” reads like an afterthought that isn’t an afterthought at all: a bleak concession that hate alone is potent, yes, but still somehow less galvanizing than hate that has a human face you once adored. That “Or hate” also has a comic sting, a deadpan shrug at the reader’s desire for balance.
Context matters: Oates’s fiction is crowded with American extremes - violence that feels domestic, trauma that feels ordinary, desire that curdles under social pressure. She’s interested in the way intimacy amplifies brutality, how the closest bonds can generate the most elaborate cruelty. The subtext is almost journalistic in its cynicism: the deepest conflicts don’t come from strangers. They come from people who know exactly where to press.
Quote Details
| Topic | Love |
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