"Maybe I don't believe things myself, as well. Truth is such a transient thing"
About this Quote
Emin’s shrug at her own belief system isn’t philosophical fog; it’s a deliberate refusal to perform certainty. “Maybe I don’t believe things myself” lands like a confession you’re not sure you’re allowed to quote back to her. The hesitation (“maybe,” “as well”) is the point: she’s positioning sincerity as unstable, not because she’s evasive, but because she’s allergic to the clean narratives people demand from “confessional” women artists.
“Truth is such a transient thing” reframes truth as a lived condition rather than a moral trophy. Emin’s work has long been read through autobiography - the bed, the handwriting, the raw anecdotes - and audiences often treat those gestures as courtroom evidence: Did it happen? Is it accurate? This line quietly sabotages that whole cross-examination. She’s telling you that the emotional truth can be real even when the facts are messy, shifting, selectively remembered, or strategically edited. The subtext is almost combative: if you came for a stable protagonist and a consistent story, you’re in the wrong gallery.
Context matters because Emin emerged in a moment (the YBAs and their media-savvy shock aesthetics) that rewarded boldness, branding, and definitive “statements.” Her version of bold is different: she stakes everything on vulnerability while insisting that vulnerability doesn’t equal reliability. The intent isn’t to excuse dishonesty; it’s to expose how “truth” gets used as a weapon - by critics, by tabloids, by viewers hungry for authenticity they can verify. Emin offers a harsher bargain: you can have honesty, but you can’t have closure.
“Truth is such a transient thing” reframes truth as a lived condition rather than a moral trophy. Emin’s work has long been read through autobiography - the bed, the handwriting, the raw anecdotes - and audiences often treat those gestures as courtroom evidence: Did it happen? Is it accurate? This line quietly sabotages that whole cross-examination. She’s telling you that the emotional truth can be real even when the facts are messy, shifting, selectively remembered, or strategically edited. The subtext is almost combative: if you came for a stable protagonist and a consistent story, you’re in the wrong gallery.
Context matters because Emin emerged in a moment (the YBAs and their media-savvy shock aesthetics) that rewarded boldness, branding, and definitive “statements.” Her version of bold is different: she stakes everything on vulnerability while insisting that vulnerability doesn’t equal reliability. The intent isn’t to excuse dishonesty; it’s to expose how “truth” gets used as a weapon - by critics, by tabloids, by viewers hungry for authenticity they can verify. Emin offers a harsher bargain: you can have honesty, but you can’t have closure.
Quote Details
| Topic | Truth |
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