"Memory is the way we keep telling ourselves our stories - and telling other people a somewhat different version of our stories"
About this Quote
Memory, in Munro's hands, isn't a mental filing cabinet; it's a sly in-house editor with a mandate. The line turns nostalgia into narrative labor: we don't just recall, we revise. That dash does the work of a plot twist, pivoting from the private comfort of coherence ("telling ourselves our stories") to the social performance of selfhood ("other people a somewhat different version"). Munro is blunt about the gap between interior truth and outward legibility, but she also implies something sharper: the gap isn't a flaw. It's the mechanism.
The intent feels characteristically Munrovian: to demystify the self without flattening it. Her fiction is packed with lives that look ordinary until a small recollection detonates the present. Here, memory becomes an ethical instrument and a survival strategy. To ourselves, we craft a story that lets us live with what we did, what happened to us, what we failed to do. To others, we craft the version that will be tolerated, admired, forgiven, or simply understood without too much friction. "Somewhat" is a careful needle: not a total lie, not pure confession, but calibrated disclosure.
Context matters. Munro's work, rooted in small-town Canadian social worlds, is obsessed with how reputation, gendered expectations, and class-coded decorum pressure people into narration as camouflage. The quote's subtext is that identity isn't discovered through memory; it's negotiated through it, scene by scene, audience by audience.
The intent feels characteristically Munrovian: to demystify the self without flattening it. Her fiction is packed with lives that look ordinary until a small recollection detonates the present. Here, memory becomes an ethical instrument and a survival strategy. To ourselves, we craft a story that lets us live with what we did, what happened to us, what we failed to do. To others, we craft the version that will be tolerated, admired, forgiven, or simply understood without too much friction. "Somewhat" is a careful needle: not a total lie, not pure confession, but calibrated disclosure.
Context matters. Munro's work, rooted in small-town Canadian social worlds, is obsessed with how reputation, gendered expectations, and class-coded decorum pressure people into narration as camouflage. The quote's subtext is that identity isn't discovered through memory; it's negotiated through it, scene by scene, audience by audience.
Quote Details
| Topic | Truth |
|---|---|
| Source | Help us find the source |
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