"Model. Two mobile eyes in a mobile head, itself on a mobile body"

In this quote by Robert Bresson, "Model. Two mobile eyes in a mobile head, itself on a mobile body", we can analyze it as a reflection on the dynamic and interconnected nature of human understanding, motion, and presence. Bresson, understood for his minimalist and deeply philosophical method to filmmaking, typically concentrated on the essence of human expression beyond surface area appearances.

The phrase starts with "Model", which recommends an archetype or a foundational structure. In this context, it can be comprehended as the human and its intrinsic capabilities, similar to a natural structure with potential for understanding and expression. Bresson emphasizes "2 mobile eyes", which represent not simply the function of sight but the ability to view, observe, and interpret the world. Eyes, being one of the most meaningful features, permit individuals to connect with and understand their environments, reflecting psychological and intellectual responses.

The "mobile head" indicates not only physical motion however also intellectual and emotional fluidity. It suggests adaptability and the capability for altering viewpoints, believing, and sensation. The head, as the center of cognitive functions, embodies the concept of versatility in idea and awareness, which resonates with Bresson's concepts of his stars as designs or figures who communicate through presence instead of dramatic efficiency.

Finally, "itself on a mobile body" stresses the complete integration of perception, mind, and physicality in the human experience. The body, being mobile, symbolizes liberty and the ability to engage with the world in numerous methods, producing a holistic and vibrant unity. This interaction of mobile parts goes beyond simple physical presence and gestures towards a much deeper story-- a life that is fluid, constantly moving through time, area, and experience.

Therefore, Bresson's succinct statement encapsulates his cinematic approach of capturing the profundity and authenticity of human experience, distilling it into a design of presence that prioritizes genuine interaction and natural presence.