"Naturally, love's the most distant possibility"
About this Quote
"Naturally, love's the most distant possibility" lands like a deadpan punchline from a writer who spent his career chasing the sacred through taboo. Bataille uses "naturally" to do the dirty work: it pretends the statement is common sense, even as it smuggles in a bleak premise about human intimacy. The adverb is the trapdoor. We expect nature to lead us toward love; Bataille insists nature leads elsewhere - toward appetite, violence, sovereignty, the animal fact of wanting. Love, by contrast, is not the default. It's the outlier.
The line also performs a kind of self-sabotage. Calling love "distant" doesn't just describe emotional difficulty; it frames love as structurally improbable, something that requires a rupture in ordinary life. That fits Bataille's broader obsession with "limit experiences" - moments of eroticism, sacrifice, ecstasy, or horror that break the utilitarian logic of the everyday. In that universe, love isn't a stable moral endpoint; it's a precarious event, a flare that may not ignite.
Historically, Bataille is writing in the long shadow of war, Catholic inheritance, and Surrealism's hunger to scandalize bourgeois comfort. The quote reads as anti-romance, but its real target is complacency: the belief that love is a given, that connection is easy, that tenderness is the human baseline. He makes love distant to make it costly, and therefore, when it appears, genuinely consequential.
The line also performs a kind of self-sabotage. Calling love "distant" doesn't just describe emotional difficulty; it frames love as structurally improbable, something that requires a rupture in ordinary life. That fits Bataille's broader obsession with "limit experiences" - moments of eroticism, sacrifice, ecstasy, or horror that break the utilitarian logic of the everyday. In that universe, love isn't a stable moral endpoint; it's a precarious event, a flare that may not ignite.
Historically, Bataille is writing in the long shadow of war, Catholic inheritance, and Surrealism's hunger to scandalize bourgeois comfort. The quote reads as anti-romance, but its real target is complacency: the belief that love is a given, that connection is easy, that tenderness is the human baseline. He makes love distant to make it costly, and therefore, when it appears, genuinely consequential.
Quote Details
| Topic | Love |
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