"Painting is just another way of keeping a diary"
About this Quote
Picasso’s line shrinks the grand museum myth of Painting-with-a-capital-P down to something private, compulsive, and a little messy: a diary you can’t help but keep. It’s a canny move from an artist who spent a lifetime changing styles like outfits. Calling painting “just another way” reframes innovation not as heroic genius but as documentation - the daily record of appetite, anxiety, desire, boredom, grief. The subtext is almost dismissive of posterity. If painting is a diary, then it doesn’t owe you timelessness; it owes him honesty.
That humility is strategic. Picasso cultivated the image of the modern master, yet he also worked with a ferocious, almost journalistic velocity. A diary implies quantity, not a single perfected statement. It gives permission to contradict yourself, to repeat motifs, to be inconsistent. That’s basically Picasso’s career in a sentence: the Blue Period’s melancholy, Cubism’s fractured perception, the political howl of Guernica, the late work’s raw eroticism - less a linear “evolution” than a running log of how the world and his body felt at different moments.
Context matters: modernism prized the artwork as an event, a rupture, a new language. Picasso, famously pragmatic, smuggles intimacy back into that revolution. He suggests the canvas is not a sermon but a record - and records can be self-serving, selective, even manipulative. Diaries don’t just capture a life; they curate it. So does Picasso.
That humility is strategic. Picasso cultivated the image of the modern master, yet he also worked with a ferocious, almost journalistic velocity. A diary implies quantity, not a single perfected statement. It gives permission to contradict yourself, to repeat motifs, to be inconsistent. That’s basically Picasso’s career in a sentence: the Blue Period’s melancholy, Cubism’s fractured perception, the political howl of Guernica, the late work’s raw eroticism - less a linear “evolution” than a running log of how the world and his body felt at different moments.
Context matters: modernism prized the artwork as an event, a rupture, a new language. Picasso, famously pragmatic, smuggles intimacy back into that revolution. He suggests the canvas is not a sermon but a record - and records can be self-serving, selective, even manipulative. Diaries don’t just capture a life; they curate it. So does Picasso.
Quote Details
| Topic | Art |
|---|---|
| Source | Unverified source: L'Intransigeant: "En causant avec Picasso" (Tériade) (Pablo Picasso, 1932)
Evidence: Unknown (newspaper issue dated 15 June 1932; page not yet verified). Multiple independent secondary references tie the quote to an interview by the critic/publisher Tériade published in the newspaper L'Intransigeant on 15 June 1932. French is commonly given as: « L'oeuvre qu'on fait est une façon... Other candidates (2) Genuine Geniuses: A Gallery of Gifted (Nancy Polette, 2010) compilation95.0% ... Pablo Picasso Salvador Dali Edgar Degas Vincent Van Gogh Jackson Pollock Rembrandt Van Rijn Pablo Picasso Paul Kl... Pablo Picasso (Pablo Picasso) compilation44.4% with painting as i deal with things i paint a window just as i look out of a win |
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