"Personality is essential. It is in every work of art. When someone walks on stage for a performance and has charisma, everyone is convinced that he has personality. I find that charisma is merely a form of showmanship. Movie stars usually have it. A politician has to have it"

In this quote, Lukas Foss highlights the essential function of personality in artistic expression and public performances. He recommends that character is not just an embellishment, however a fundamental component of art itself. When discussing the concept of charm, Foss identifies it as a perceived version of character that significantly impacts the audience's reception of an entertainer. According to him, charm is a powerful form of showmanship that captivates and encourages audiences, creating the illusion or perception of a strong character.

Foss draws a distinction between intrinsic personality and the predicted charm that frequently accompanies public figures like motion picture stars and political leaders. He indicates that charisma serves as an external representation created to bring in and keep the attention of an audience, a skill crucial for those in the limelight. This charm is typically seen as a tool or technique that boosts an individual's or artist's ability to get in touch with an audience, making their efficiencies or public appearances more engaging and remarkable.

By specifying that "film stars normally have it" and "a politician has to have it", Foss underscores the expectation for individuals in these fields to have a magnetic existence. This expectation is likely due to the nature of their occupations, which rely heavily on the ability to engage and influence big groups of individuals. In the show business and politics, charisma can considerably impact an individual's success and effectiveness.

Foss's perspective suggests that while charm can be found out and cultivated as a type of showmanship, the underlying essence of personality remains an important consider the authenticity and effect of creative work. Eventually, he points to a nuanced understanding of personality in the arts, insinuating that true artistry lies not just in the efficiency itself however in the genuine expression of the artist's private character and presence.