"Pet me, touch me, love me, that's what I get when I perform. That's when I'm really getting what I want"
- Connie Stevens
About this Quote
In this quote, actress and singer Connie Stevens records the essence of her relationship with performing and the audience. The quote conveys a deep sense of fulfillment and psychological satisfaction derived from being on stage. Stevens utilizes the necessary phrases "Pet me, touch me, like me" to signify the yearning for affection, attention, and recognition that she receives through her performances. These expressions evoke images of closeness and intimacy, suggesting that efficiency is not just an expert act, however a profoundly individual experience for her.
The repetition of these appeals emphasizes the psychological exchange in between entertainer and audience. Stevens highlights how performing is not just about talent screen however about producing a connection where she can reveal her genuine self and, in return, receive affirmation. The needs she voices-- being "cuddled," "touched," "liked"-- are essentially human, rooted in a desire for gratitude and compassion.
Moreover, when she states, "that's what I get when I perform," Stevens acknowledges the mutual nature of performing arts. The stage is a space where she offers her art, vulnerability, and energy and, in return, garners emotional nourishment and affirmation of her worth. The last phrase, "That's when I'm actually getting what I desire," exposes that this interaction fulfills her much deeper requirements more than any other aspect of her life. This insight suggests that carrying out is not merely a career however an essential outlet for her emotional and mental wellness.
Through this quote, Stevens basically communicates the essence of performance art as a medium through which one can develop profound human connections. It hints at the transformative power of efficiency, where individual and artistic desires converge, resulting in a fulfilling and boosting experience. In essence, Stevens discovers not simply her audience, but herself, in each applause and act of appreciation.
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