"Secondarily, I think films that are driven by music also terrify studios"
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In this quote, Kevin Spacey comments on a particular aspect of the movie industry's relationship with music-driven tasks. He recommends that studios might be uncertain or even afraid of films where music is a central aspect either in the narrative or the storytelling strategy.
The primary issue for studios most likely stems from the inherent risk related to music-centric films. Music can be subjective; what resonates with one audience might miss the mark with another. Movies driven by music often rely greatly on the soundtrack to convey feeling, advance the plot, or specify characters. In addition, they may necessitate particular licensing arrangements for tunes, hence inflating production expenses and making complex circulation rights. Additionally, such projects might target a niche audience, potentially restricting widespread industrial appeal compared to genre spectrums that are more widely appreciated.
Spacey's usage of "terrify" might be an exaggeration to highlight the mindful technique studios take concerning financial danger and roi associated to music-themed tasks. This wariness shows a more comprehensive stress in Hollywood in between imaginative ambition and commercial prudence. Movies like musicals, for instance, often require significant buy-in from the audience's suspension of realism, an aspect that might daunt studios worried about profitability and broad audience acceptance.
In spite of such obstacles, effective music-driven films exist, proving they can capture cultural zeitgeist and achieve substantial artistic and financial successes, like "La La Land" or "Bohemian Rhapsody". These successes show that while the studio apprehension Spacey mentions may be well-founded, it can be conquered with a strong narrative, engaging efficiencies, and a resonating soundtrack. Ultimately, the fundamental riskiness reflects the progressing landscape of home entertainment and the gamble of pursuing artistry over tried-and-true formulaic filmmaking.
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