"She had a penetrating sort of laugh. Rather like a train going into a tunnel"
About this Quote
Wodehouse lands the joke with the casual cruelty of a perfectly timed aside: “a penetrating sort of laugh” arrives dressed as a compliment, then gets yanked into the slapstick of industrial noise. The simile is doing double duty. A train entering a tunnel is loud, unavoidable, and directionally invasive; it doesn’t just fill the space, it pushes through it. “Penetrating” stops meaning incisive or charming and starts meaning acoustically aggressive, the kind of laugh that hijacks a room and leaves bystanders bracing for impact.
What makes it work is Wodehouse’s refusal to overplay the hand. “Rather like” is faux-modest, as if the narrator is carefully searching for the gentlest comparison available, when the image is actually hilariously specific and faintly humiliating. That restraint is the engine of his comedy: social observation delivered in a tone so mild it can smuggle in sharp judgments without sounding like judgment.
The subtext is classic Wodehouse class comedy. Laughter, in his world, is a social signal; the wrong kind exposes you. A “train” laugh suggests someone who can’t (or won’t) regulate herself to fit drawing-room expectations, a small breach that becomes a big disturbance. It’s not just about volume. It’s about manners, control, and the terror of being noticed for the wrong reasons.
Contextually, it sits in the interwar-to-midcentury Wodehouse universe where romance and status games unfold under the tyranny of taste. A single sensory detail can demote a character instantly, and Wodehouse makes that demotion feel like fun.
What makes it work is Wodehouse’s refusal to overplay the hand. “Rather like” is faux-modest, as if the narrator is carefully searching for the gentlest comparison available, when the image is actually hilariously specific and faintly humiliating. That restraint is the engine of his comedy: social observation delivered in a tone so mild it can smuggle in sharp judgments without sounding like judgment.
The subtext is classic Wodehouse class comedy. Laughter, in his world, is a social signal; the wrong kind exposes you. A “train” laugh suggests someone who can’t (or won’t) regulate herself to fit drawing-room expectations, a small breach that becomes a big disturbance. It’s not just about volume. It’s about manners, control, and the terror of being noticed for the wrong reasons.
Contextually, it sits in the interwar-to-midcentury Wodehouse universe where romance and status games unfold under the tyranny of taste. A single sensory detail can demote a character instantly, and Wodehouse makes that demotion feel like fun.
Quote Details
| Topic | Witty One-Liners |
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