"Sometimes I read a script and it's obvious from early on that it's one where the suspension of disbelief has to develop strongly from page one. Some are more reality-based"

Gillian Anderson is recommending that some scripts need more initiative from the viewers to suspend their shock than others. She suggests that some manuscripts are a lot more rooted actually, and as a result need less initiative to accept the tale as it exists. On the various other hand, some manuscripts need the visitor to approve an extra fantastical or creative story, and it depends on the viewers to establish a strong suspension of shock from the very beginning. Anderson is suggesting that the reader should agree to approve the story as it exists, regardless of how far-fetched it may appear. This is an important skill for any reader of manuscripts, as it permits them to completely value the tale and also its personalities.