"The beautiful heroine might be thinking, How long must I bury my face on this wretched man's shoulder? Such is not the always the case, but quite often it is"

Ivor Novello's quote checks out the juxtaposition in between romantic ideals and the frequently unromantic reality that characters might face in stories, especially in theatrical or cinematic contexts. The "stunning heroine" stimulates the image of a traditional figure in storytelling, typically depicted as graceful and tender-hearted. The phrase "might be thinking, How long must I bury my face on this wretched guy's shoulder?" suggests an internal dispute or dissonance between her outward function and her authentic sensations. Here, Novello mean the performative nature of traditional gender roles and romantic stories, where the heroine is anticipated to find solace or dependency in a male figure, depicted here as "sorrowful.".

Using the word "sorrowful" to explain the male implies a sense of discontentment or unworthiness, thereby challenging the traditional image of the romantic hero as flawless or preferable. The expression questions the authenticity of the psychological connection frequently depicted in stories, recommending that it may be more a matter of societal expectation than authentic love.

Following this, the declaration "Such is not constantly the case, however frequently it is" acknowledges that while not every story follows this pattern, it is a repeating theme. Novello acknowledges that although authentic feeling and compatibility can exist, the frequency of these shallow or forced connections is noteworthy. It mentions the scripted nature of interactions where the heroine's true sensations may be reduced for the sake of the narrative structure or social norms.

In essence, the quote reflects on the often-tedious functions females have actually played historically in storytelling-- functions that may not always line up with their true desires or emotions. It invites us to think seriously about how narratives are built and the underlying expectations positioned upon characters, particularly females, within both imaginary and genuine social constructs. The indicated critique motivates a reevaluation of how love and collaboration are represented, advising a motion towards more authentic and relatable representations.