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Time & Perspective Quote by Penelope Lively

"The Photograph is concerned with the power that the past has to interfere with the present: the time bomb in the cupboard"

About this Quote

Penelope Lively names the central engine of her novel The Photograph: the past is not inert background but an active force capable of detonating in the present. A photograph, apparently benign and domestic, waits like a time bomb in the cupboard, its charge packed with context, omission, and memory. When Glyn, the widower at the novel’s center, discovers an image of his late wife Kath in an ambiguous moment, the present he thinks he inhabits is blasted open. What looked settled becomes provisional; grief turns into interrogation; affection gives way to suspicion. The past interferes not by changing events but by altering the stories people tell about them.

The metaphor captures Lively’s long-standing interest in time and memory, shaped by her fascination with archaeology. Lives are layered like a dig, and objects are shards that demand interpretation. A photograph freezes a fraction of time yet refuses to supply motives, tensions, and the felt texture of the day it arrested. Meaning must be constructed, and that construction can destabilize identity, relationships, and moral judgment. The shock of the image sends characters back through their own archives of recollection, exposing how memory is partial, self-serving, and deeply sensitive to new evidence.

Lively also probes the ethics of excavation. Who owns a dead person’s story? How far does love license inquiry? The interference of the past is not purely destructive; it can deepen understanding and complicate easy mythologies. But it always exacts a price, because each newly unearthed fragment shifts the balance of what is known, and the present must be rebuilt around it.

The cupboard matters too. It stands for the domestic spaces where we stash letters, albums, and heirlooms, assuming they are safely contained. Lively suggests no container is neutral. The artifacts we keep inhabit our homes like sleepers with their own internal clocks. When they wake, they rearrange the present, obliging us to live with time’s residue rather than beyond it.

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The Photograph is concerned with the power that the past has to interfere with the present: the time bomb in the cupboar
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About the Author

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Penelope Lively (born March 17, 1933) is a Author from England.

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